Tuesday, 29 April 2008

The Barber Image in Popular Culture - Part Two

I think that the barber is an indispensable character in real life and in the domain of art. As I was doing some investigation into this indelible persona I came to know that SRK is all poised to don an important role in the movie - Billu Barber (which is a remake of the Mallu flick).
Now some trivia regarding the profession of a Barber -
A barber (from the Latin barba, "beard") is someone whose occupation is to cut any type of hair, give shaves, and trim beards. In previous times, barbers also performed surgery and dentistry .In more recent times, with the development of safety razors and the increasing rarity of beards, most barbers primarily cut hair. (Thank you ...Wikepedia for this trivia)
If I am to share my personal reflection on ‘this man with the sharp razor in his hand’, the first thing that pops into my mind is the face of Mr. Jeeva who has cut my hair since I became eligible for that act. He got his own salon which is a simple room. Normally it used to be crowded and customers are expected to wait. I remember as a child ( and even today) enjoying the act of waiting coz Jeeva used to subscribe to film magazines and I enjoyed reading them. Now things have changed he is got a TV installed in his shop along with a FM radio device. Jeeva himself has not changed much. He’s got that special knack of doing his job which makes most of his customers relaxed and unperturbed. Even today if I want a hair cut I make it point to sit under the watchful eyes and skilled hands of Jeeva. We both kind of developed a personal bond with each other. He used to talk about his family, how his son is not that interested in continuing the profession, about his old age and failing eye sight.
There is a trust that develops between the barber and his client. When you are subjected to a hair cut or shave you are both unarmed and helpless. The barber can do whatever he wants to physically wound you. Even the expression in English language which means – a close shave might have originated from this situation. But as the General in the story – Just Lather, That’s all says – " They told me that you'd kill me. I came to find out. But killing isn't easy. You can take my word for it.” . There are some barbers whom I have met who talk incessantly – I think they possess a tongue which is sharper than the knife which they are holding in their hand. I remember the one in Tarhuna (North Africa, Libya) who being of the fact that I cannot speak Arabic spoke a lot when he did the act of cutting and shaving. Hopefully a barber (demon barber) like Sweeny Todd (or like the demon barber in one of Sherlock Holmes mystery stories) should never surface on this planet earth.

Monday, 28 April 2008

April is the movie-est month..





April is the cruelest month according to T.S Eliot…
It is the month of regeneration according to Chaucer…
For me this was the month of movie fever when I watched new movies and re-watched some of my favourite movies. Most of the movies were in the 2008 Academy Awards rat race. I am fortunate to have discovered the ‘secret place’ in B’lore from where I was able to get all these movies. It is like a ‘cinema firdouse’ for me…
So for me april was the movie-est month...

Thursday, 24 April 2008

Book Talk Script - My Village, My Sacred Land....by Anna Hazare

The Presentation:
To know a fellow Indian, to know India, to know ourselves…
Over-populated cities (especially the 4 metros)
Displacement / Refuges in our own land.
MBA redefined/ to look at the other side/ to take the road less travelled.
Corporate culture/ becoming a dead fish when you are young/ world of pink slips.
Concept of rural management/ social entrepreneur/ social engineering/the ‘real’ people management.
The Book:
Number of pages – 143
Published on March, 2003
Translated from Marathi into English.
37 chapters
Front cover and back cover description.
Three quotable quotes on the inside front and back cover- (RS 1, 2, & 3)
What’s on the blurb?
Candid/ Authentic / Inspiring
The Making of the book (page # 9)

Anna Hazare - His Philosophy of life:
His early life – born Jan 15, 1940/education- seventh class/ flower business/ prosperity/bad company/ joined the army/aimlessness in life/suicide/1965-the bombing incident/ rebirth/retired from army/ returned to Ralegan Siddhi/model village.
Three major influences in his life –
§ Swami Vivekananda – ‘Call to the Youth for Nation Building’/ Suicide/Bachelor struggles.
§ Gandhiji – school grant & fasting/open grazing.
§ Achyutrao Patwardhan – removal of ego/ no ‘I’ or no ‘mine’ (RS 4)
Influence of Swami Vivekananda and other saints (RS 5, 6, 7)
Social work is a religious ritual in itself (RS 8)
The importance of sacrifice (RS 9)
The need to have a goal in your life (RS 10)
His message for the young generation (RS 11)

The Village:
It was – (RS 12)
It is - Starting with the re-building of the temple/ Watershed development/Restoring the green cover/Uprooting alcoholism/Milk production/Education for living/Removal of untouchability/Collective marriages/Gram Sabha/Village Birthday.

Today Anna has almost acquired the stature of a saint. He donated his land for the hostel building. He gives his pension money to the village fund. A confirmed bachelor, he lives in the village temple with a bare minimum of personal belongings. He eats simple food normally cooked for the hostel boys. This moral authority growing out of his selfless life has made him an unquestioned leader of the village.

Exercise
Creating your own ideal village
Writing a short and sensible message to Anna HazareThe Presentation:
To know a fellow Indian, to know India, to know ourselves…
Over-populated cities (especially the 4 metros)
Displacement / Refuges in our own land.
MBA redefined/ to look at the other side/ to take the road less travelled.
Corporate culture/ becoming a dead fish when you are young/ world of pink slips.
Concept of rural management/ social entrepreneur/ social engineering/the ‘real’ people management.
The Book:
Number of pages – 143
Published on March, 2003
Translated from Marathi into English.
37 chapters
Front cover and back cover description.
Three quotable quotes on the inside front and back cover- (RS 1, 2, & 3)
What’s on the blurb?
Candid/ Authentic / Inspiring
The Making of the book (page # 9)

Anna Hazare - His Philosophy of life:
His early life – born Jan 15, 1940/education- seventh class/ flower business/ prosperity/bad company/ joined the army/aimlessness in life/suicide/1965-the bombing incident/ rebirth/retired from army/ returned to Ralegan Siddhi/model village.
Three major influences in his life –
§ Swami Vivekananda – ‘Call to the Youth for Nation Building’/ Suicide/Bachelor struggles.
§ Gandhiji – school grant & fasting/open grazing.
§ Achyutrao Patwardhan – removal of ego/ no ‘I’ or no ‘mine’ (RS 4)
Influence of Swami Vivekananda and other saints (RS 5, 6, 7)
Social work is a religious ritual in itself (RS 8)
The importance of sacrifice (RS 9)
The need to have a goal in your life (RS 10)
His message for the young generation (RS 11)

The Village:
It was – (RS 12)
It is - Starting with the re-building of the temple/ Watershed development/Restoring the green cover/Uprooting alcoholism/Milk production/Education for living/Removal of untouchability/Collective marriages/Gram Sabha/Village Birthday.

Today Anna has almost acquired the stature of a saint. He donated his land for the hostel building. He gives his pension money to the village fund. A confirmed bachelor, he lives in the village temple with a bare minimum of personal belongings. He eats simple food normally cooked for the hostel boys. This moral authority growing out of his selfless life has made him an unquestioned leader of the village.

Exercise
Creating your own ideal village
Writing a short and sensible message to Anna Hazare

Monday, 21 April 2008

The Character of the Barber in the Popular Culture...

Characters in literature are inspired by real life people. Recently I have come across three artistic examples which has explored the role of the Barber as the central motif. One is a short story by a Latin American writer. The second one is the Malayalam movie – Katha Parayumbol starring Sreenivasan. The third one is the Hollywood production by Tim Burton with Johnny Depp in the lead – Sweeny Todd – The Demon barber of the Fleet Street. I will start this article by posting the text of the short story by Hernandez Tellez titled – Just Lather…That’s all… This is a two part blog. The first one presents you with the thesis and second one with the synthesis. I am trying to do an analysis of these three artistic representations of the role of a barber by adding some of personal reflections to that.

Now the short story...Just Lather, That's All...

Born and educated in Bogotá, Téllez entered very early the world of journalism with which he is primarily identified having been on the staff of some of Colombia's most popular newspapers and magazines. It was not until 1950 with the publication of his short-story collection Cenizas al viento, that his name became more widely known. His tragicomic tales evidence the keen and extremely sensitive observer of contemporary life and more particularly of the anguishing reality of his native country. (Translated by Donald A. Yates)

He said nothing when he entered. I was passing the best of my razors back and forth on a strop. When I recognized him I started to tremble. But he didn't notice. Hoping to conceal my emotion, I continued sharpening the razor. I tested it on the meat of my thumb, and then held it up to the light. At that moment be took off the bullet-studded belt that his gun holster dangled from. He hung it up on a wall hook and placed his military cap over it. Then be turned to me, loosening the knot of his tie, and said, "It's hot as bell. Give me a shave." He sat in the chair. I estimated be bad a four-day beard. The four days taken up by the latest expedition in search of our troops. His face seemed reddened, burned by the sun. Carefully, I began to prepare the soap. I cut off a few slices, dropped them into the cup, mixed in a bit of warm water, and began to stir with the brush. Immediately the foam began to rise. "The other boys in the group should have this much beard, too." I continued stirring the lather. "But we did all right, you know. We got the main ones. We brought back some dead, and we've got some others still alive. But pretty soon they'll all be dead." "How many did you catch?" I asked. "Fourteen. We had to go pretty deep into the woods to find them. But we'll get even. Not one of them comes out of this alive, not one." He leaned back on the chair when he saw me with the lather-covered brush in my hand. I still had to put the sheet on him. No doubt about it, I was upset. I took a sheet out of a drawer and knotted it around my customer's neck. He wouldn't stop talking. He probably thought I was in sympathy with his party. "The town must have learned a lesson from what we did the other day," he said. "Yes," I replied, securing the knot at the base of his dark, sweaty neck. "That was a fine show, eh?" "Very good," I answered, turning back for the brush. The man closed his eyes with a gesture of fatigue and sat waiting for the cool caress of the soap. I had never had him so close to me. The day he ordered the whole town to file into the patio of the school to see the four rebels hanging there, I came face to face with him for an instant. But the sight of the mutilated bodies kept me from noticing the face of the man who had directed it all, the face I was now about to take into my hands. It was not an unpleasant face, certainly. And the beard, which made him seem a bit older than he was, didn't suit him badly at all. His name was Torres. Captain Torres. A man of imagination, because who else would have thought of hanging the naked rebels and then holding target practice on certain parts of their bodies? I began to apply the first layer of soap. With his eyes closed, be continued. "Without any effort I could go straight to sleep," he said, "but there's plenty to do this afternoon." I stopped the lathering and asked with a feigned lack of interest: "A firing squad?" "Something like that, but a little slower." I got on with the job of lathering his beard. My bands started trembling again. The man could not possibly realize it, and this was in my favor. But I would have preferred that he hadn't come. It was likely that many of our faction had seen him enter. And an enemy under one's roof imposes certain conditions. I would be obliged to shave that beard like any other one, carefully, gently, like that of any customer, taking pains to see that no single pore emitted a drop of blood. Being careful to see that the little tufts of hair did not lead the blade astray. Seeing that his skin ended up clean, soft, and healthy, so that passing the back of my hand over it I couldn't feel a hair. Yes, I was secretly a rebel, but I was also a conscientious barber, and proud of the preciseness of my profession. And this four-days' growth of beard was a fitting challenge. I took the razor, opened up the two protective arms, exposed the blade and began the job, from one of the sideburns downward. The razor responded beautifully. His beard was inflexible and hard, not too long, but thick. Bit by bit the skin emerged. The razor rasped along, making its customary sound as fluffs of lather mixed with bits of hair gathered along the blade. I paused a moment to clean it, then took up the strop again to sharpen the razor, because I'm a barber who does things properly. The man, who had kept his eyes closed, opened them now, removed one of his hands from under the sheet, felt the spot on his face where the soap had been cleared off, and said, "Come to the school today at six o'clock." "The same thing as the other day?" I asked horrified. "It could be better," he replied. "What do you plan to do?" "I don't know yet. But we'll amuse ourselves." Once more he leaned back and closed his eyes. I approached him with the razor poised. "Do you plan to punish them all?" I ventured timidly. "All." The soap was drying on his face. I had to hurry. In the mirror I looked toward the street. It was the same as ever: the grocery store with two or three customers in it. Then I glanced at the clock: two-twenty in the afternoon. The razor continued on its downward stroke. Now from the other sideburn down. A thick, blue beard. He should have let it grow like some poets or priests do. It would suit him well. A lot of people wouldn't recognize him. Much to his benefit, I thought, as I attempted to cover the neck area smoothly. There, for sure, the razor had to be handled masterfully, since the hair, although softer, grew into little swirls. A curly beard. One of the tiny pores could be opened up and issue forth its pearl of blood. A good barber such as I prides himself on never allowing this to happen to a client. And this was a first-class client. How many of us had he ordered shot? How many of us had he ordered mutilated? It was better not to think about it. Torres did not know that I was his enemy. He did not know it nor did the rest. It was a secret shared by very few, precisely so that I could inform the revolutionaries of what Torres was doing in the town and of what he was planning each time he undertook a rebel-hunting excursion. So it was going to be very difficult to explain that I had him right in my hands and let him go peacefully -alive and shaved. The beard was now almost completely gone. He seemed younger, less burdened by years than when he had arrived. I suppose this always happens with men who visit barber shops. Under the stroke of my razor Torres was being rejuvenated-rejuvenated because I am a good barber, the best in the town, if I may say so. A little more lather here, under his chin, on his Adam's apple, on this big vein. How hot it is getting! Torres must be sweating as much as I. But he is not afraid. He is a calm man, who is not even thinking about what he is going to do with the prisoners this afternoon. On the other hand I, with this razor in my hands, stroking and re-stroking this skin, trying to keep blood from oozing from these pores, can't even think clearly. Damn him for coming, because I'm a revolutionary and not a murderer. And how easy it would be to kill him. And he deserves it. Does be? No! What the devil! No one deserves to have someone else make the sacrifice of becoming a murderer. What do you gain by it? Nothing. Others come along and still others, and the first ones kill the second ones and they the next ones and it goes on like this until everything is a sea of blood. I could cut this throat just so, zip! zip! I wouldn't give him time to complain and since he has his eyes closed he wouldn't see the glistening knife blade or my glistening eyes. But I'm trembling like a real murderer. Out of his neck a gush of blood would spout onto the sheet, on the chair, on my hands, on the floor. I would have to close the door. And the blood would keep inching along the floor, warm, ineradicable, uncontainable, until it reached the street, like a little scarlet stream. I'm sure that one solid stroke, one deep incision, would prevent any pain. He wouldn't suffer. But what would I do with the body? Where would I hide it? I would have to flee, leaving all I have behind, and take refuge far away, far, far away. But they would follow until they found me. "Captain Torres' murderer. He slit his throat while he was shaving him a coward." And then on the other side. "The avenger of us all. A name to remember. (And here they would mention my name.) He was the town barber. No one knew he was defending our cause." And what of all this? Murderer or hero? My destiny depends on the edge of this blade. I can turn my hand a bit more, press a little harder on the razor, and sink it in. The skin would give way like silk, like rubber, like the strop. There is nothing more tender than human skin and the blood is always there, ready to pour forth. A blade like this doesn't fail. It is my best. But I don't want to be a murderer, no sir. You came to me for a shave. And I perform my work honorably. . . . I don't want blood on my hands. Just lather, that's all. You are an executioner and I am only a barber. Each person has his own place in the scheme of things. That's right. His own place. Now his chin bad been stroked clean and smooth. The man sat up and looked into the mirror. He rubbed his hands over his skin and felt it fresh, like new. "Thanks," he said. He went to the hanger for his belt, pistol and cap. I must have been very pale; my shirt felt soaked. Torres finished adjusting the buckle, straightened his pistol in the holster and after automatically smoothing down his hair, he put on the cap. From his pants pocket be took out several coins to pay me for my services. And he began to bead toward the door. In the doorway he paused for a moment, and turning to me he said: "They told me that you'd kill me. I came to find out. But killing isn't easy. You can take my word for it.” And he headed on down the street.

Thursday, 17 April 2008

Over the Edge

Jumping over the verbal pledge.
Loose and free, shaking off the pleasant clutch.
The numbing cool free breeze hitting the fragmented visage.
Chopping off the dense and thick memory foliage.
Hands forgot the sense of having a grip.
Every molecule engaged in the effortless downward trip.
Bright and dark interspersed in this oceanic motion.
Thrown into the void are the verbal senses of friction and caution.
In the fall there is a rise and in that rise there is a fall.
The same sides of two different coins on a ledge.
and the coins too are going over the edge.....
(A short poem inspired by the song - Taking Chances by Celine Dion)

Tuesday, 15 April 2008

The Curious Incident of the Dog in the Night-time - Review

For the past few months, reading has become a rare occurrence. I am engaged in teaching, playing strategy games, cooking, sleeping and the last ‘ing’ form that I do is reading. Maybe I have become more selective in my reading. I don’t read to flaunt, I don’t read to talk about what I have read, but I read for personal gratification. So last week when I had visited ‘Amchi Mumbai’ I purchased two books – the first one (The Curious Incident of the Dog in the Night-time), I have finished reading and I am all set to prepare a review of the same. The book was lying there in a corner at Depot Mall near Santa Cruz and I regard myself lucky to possess this book. It is like adding one richer feather to my collection of ‘wordy feathers’ at Home. The second one is ‘Once upon a Time zone’ by Neelesh Mishra. Again a specimen of cross cultural writing. I have not laid my hands on the book, but will do soon.

The Curious Incident of the Dog in the Night-time is authored by Mark Haddon. The words which really got me hooked on to the book were printed in the back cover (Blurb) – “Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color of Yellow”. I liked the author because he is doing something which I really wanted to in my life – He teaches Creative Writing. Also as ‘a young man Haddon worked with autistic individuals’

The story is about Christopher who plays the detective (inspired by Sherlock Holmes) to solve the ‘murder’ (or shall we call it dogicide) of the poodle Wellington (inspired by The Hound of the Baskervilles). He is a persistent detective and the moment he finds out who killed Wellington the story takes a different turn. When Christopher realizes that his dad was the one…oops (I know that it is a spoiler…anyway who cares) he decides to leave for London to stay with his mom. The narrative ends with Christopher getting ready for the further A-level exams. That’s about the story.

Now reading this book was a different experience. First of all it dealt with a boy who has got a special ability. His world is different from ours and the author has truly done a marvelous task of making the reader empathize with the boy and his mind. It is so beautifully done that the words fails to recapture that feeling. I would like to quote one part of the book which talks about Christopher’s journey to London.
“And I looked out of the window and we were going past factories and scarp yards full of old cars and there were 4 caravans in a muddy field with 2 dogs and some clothes hanging up to dry. And outside the window it was like a map, except that it was in 3 dimensions and it was life-size because it was the thing it was a map of”

Hope one day you will befriend Christopher...

Saturday, 5 April 2008

Four types of Learners

Newspapers are agents of information. Sometimes there is too much of news that the supply is much more than the need. I wonder how much of a newspaper is actually consumed by the people. I have heard about a media house printing much more than the recquired amount just to stay ahead in the media research polls.

I have made it a point to consume little of the media. I think too much media will kill you. the only media which I am voraciously consuming these days are the Podcasts. I am sure that one day I will write about my podcasting experience. the words below are taken from the Hindu – India’s national newspaper. It was an eye-opener for me. I am sure that the article will help any teacher who is interested in the art of learning.

Four types of Learners:
Categorization of learning styles is one devised by Honey and Mumford who have further based their four categories of learners based on Kolb’s Learning style Model. Let’s begin with action. these are known as the ‘activists’. Activists like action and are enthusiastic individuals. they are eager to do tasks and activities. Games, and exercises excite the activist so the course for this type of learner will have to be action packed, with activities that involve direct interaction, games, discussions, competions and debate. Not everyone likes activity.

some like to sit back and reflect and hence are known as ‘reflectors’. the study shows that this kind of learning is the mater observer. they watch and collect data, analyse and then draw conclusions or reflect. they probably learn best from examples and by simply watching and listening to others.

A similar group would be the ‘theorist’. However the theorist may delve in greater detail on graphs, and diagrams.

After all the thinking, reflecting and theorizing, comes the ‘pragmatist’. this is the practical worker. He likes to see the practicality and the direct end result of everything hence this kind of learner., likes to learn new techniques and applications and try them out to see their usability. He isn’t fond of discussion and debate, but would rather see examples, case studies and their conclusions.
Courtsey
The Hindu
March 26, 2008
Uzma Hyder

Thursday, 3 April 2008

New Learning and the New Learners



Learning is a continuous process but learners will cease to be learners after some time in their life. I am a teacher for the past nine years of my life. Teaching is other side of the coin called my life. Classrooms are my dreamscape. Like prostitution teaching is one of the world’s oldest professions. Both the professions have helped mankind to remain sane without losing the grip over logic. Maybe these days the borders that separate them are slowly melting away.

I do not want to be rude or sarcastic. I am still a teacher who believes that education is well done when it is made self-driven. Self learning is the best learning- goes the old saying. Like the self-made business man played by Daniel Day Lewis’s in the movie – ‘There will be Blood’ – it is healthier for a learner to become a self-seeker. The more he depends on his teachers the less he will use his innate skills and talents. Every teacher wants to play TZP Aamir Khan in real life pulling the child out of his cocoon. It is always good to give it a try but even a teacher has got his limits. He cannot be pushed hard. He is fully human and fully alive.

Students today seem to run after many things, they are so worried about the future; their perspective on campus life has changed. The most alarming thing about them is that they have lost the courage to stand alone. They have become highly dependant on others for ideas, opinions, and information (not knowledge). I have my strong feelings against these dependent characters. I am aware that I cannot demand that my students behave exactly the way I want them to behave. The only thing that I demand from them is that they should think and act for themselves.

Wednesday, 2 April 2008

The Meaning of Home

Home is the place to be, they say. I remember Prof Ganesh from MCC defining Home as an emotional space compared to house which is a physical one. I have always wondered about this word – HOME. Is this place we call home a fixed point on this planet? Is it just a geographical location? Is it more to do with sense of being somewhere? I, a person who left home ten years back got enough experience to explore the true meaning of the word. I have lived two years in hostel which was supposed to be the place I am to undergo a bout of home-sickness. After some months of stay at Loyola hostel, I used to feel sick with home. Loyola Hostel was described by the Jesuit fathers as Home away from Home. It was indeed one when it came to food and academic life. I and my friends felt at home in the mess where we used to hog with a competitive attitude. I remember the day when I twisted my ankle while coming down the stair case and how the mess manager Mr Kasper took care of me. When it came to strictness – Loyola hostel was infamous, No wonder they used to call us as the slaves of Loyola.
Then I came out of the hostel life and became part of the Hall culture at MCC. Nothing much to say about that part of my life.
Today as I read the news about the Tibetan exiles fighting for their homeland, I feel little worried. Tibet is their Home. They seem to have forgotten the underlying rules of their homeland when they started their recent fights against the Chinese Government. In the movie Seven Years in Tibet, Lhasa is described as the Home of the Dalai Lama. He is the spiritual and social leader for the Tibetans. He represents the Non-violent and Buddhist tradition which has shaped the Tibetan way of life.
Home also has got a connotation of Death. In the movie Gladiator, Russell Crowe frequently talks about his home – a place where his wife and child is waiting for him. It is not on this planet. It is somewhere in the heavens, beyond this mundane existence.
Sarabjit wants to return home. His daughters and wife are waiting for him. I have felt the value of home when I stayed outside India for one year. I think it is not the place that is important; it is a kind of feeling which is highly fragmented. I came back and I had dosai after a gap on 12 months I experienced that feeling. When I got into the train that will take me home I felt that I was moving towards a familiar place. So it is not just the physical space that we call as home but it also any feeling with which you are comfortable with. Some people feel they are at home with other people. I guess that’s how love happens when somebody feels comfortable with somebody else.

People are worried about their homes
In their mind it creates many familiar forms
A journey and a destination without a pause
I am sure about the end of all these farce

Tuesday, 1 April 2008

My Copy for the College Brochure - i enjoyed creating it...

Sri Siddhartha Center for Media Studies (SSCMS) started its academic journey on April, 12-2-2000. The center is founded in line with the original educational vision of the SSES group of Institutions, i.e. to impart quality education to every section of the society irrespective of cast, creed, and region. Situated in the sylvan campus of SSIT in XXXX , SSCMS is the right academic place for YOU to grow and to become a seasoned media professional. Within a few years of its establishment SSCMS has evolved into a top-notch media school by applying technology in an innovative and creative way on human minds having a flair for the media.
We offer YOU an excellent learning atmosphere which includes a well-stocked central library, a state of the art multimedia lab with 20 Apple I Mac systems; a CALT (Computer Assisted Language Training) based Language Lab, a modern Television Studio, and a full-fledged Community Radio Station.
YOU will also be assisted, guided and trained by our committed faculty in the different aspects of Print media, Electronic media, Multimedia, and Web Journalism. SSCMS is a Wi-Fi enabled campus with an uninterrupted Internet connectivity which will make your learning a borderless experience.

At SSCMS learning is a participative and an interactive activity. YOU will be part of group discussions, seminars, producing lab journals and workshops. Academic life in SSCMS is a convergence of curricular, co-curricular and extra-curricular activities.

Courses offered: (Brown, Comic sans Font 12)

SSCMS offers two academic programs at the post graduate level which almost covers the whole gamut of media studies.

MS Communication:
This programme is designed for graduates who wish to follow a career in Journalism. YOU will be given specialized training in reporting, editing, and other aspects of Print Journalism coupled with a workable knowledge of TV, Radio, and Online Journalism. The course is equivalent to MA in Journalism and Mass Communication which is offered in most of the Universities. You will be trained in the art of newspaper making which includes designing the layout and positioning using Corel Draw and Adobe Page Maker. MS Communication is a tetra semester program which covers the following topics…

· Media Research
· Video Editing Techniques
· Film Communication
· Corporate Communication

M.sc Electronic Media: (Brown, Comic sans Font 12)
This two year course prepares YOU to build a career in Television and Radio Journalism. The tetra semester programme will also cover various multimedia skills which includes Animation and Graphic designing employing software’s like Adobe Photoshop, 3D Max, Final Cut Pro and Adobe Premier.

Eligibility:
Any good bachelor degree from a recognised institution with a minimum of 50% mark.
A relaxation of 5% marks given to students belonging to SC/ST and Category I.

Post SSCMS Scenario:
Based on your academic score and personal skills you will get immediate placements in any regional and national newspapers or magazines. You can also be part of any TV channels or Radio channels.