The movies, is based on the life of Anneliesse Michel, a young catholic woman from Germany who died in 1976 after unsuccessful attempts to cure her from the alleged state of demonic possession with the use of psychotropic drugs. A church approved exorcism was performed on her, according to her wish. According to the court, her death was caused by medical neglect of the priest watching over her (Movie trivia courtesy – Wikepedia)
The above information clearly explains the inherent dichotomy between facts and faith. The Hollywood machinery has got a strong leniency towards the spiritual and the unknown because that’s what sells. Even an ordinary story of a peasant girl form Orleans was converted into a spiritual façade. (Reference to Joan of Arc) the same applies to a certain extent to Emily Rose. In this case the dichotomy helps and the movie grips the attention of the viewer for the slow but effective building of the arguments in the court. That’s the beauty of the dichotomy. It creates an opposition which is quite meaningful and elegant. The priest (supernatural, divine) on one side and the public prosecutor on the other side with his facts, figures, and logic. It is a clash between man of facts and man of faith.
An easy to watch movie with lots of beautiful faces and colorful dresses. Anne Hathaway is a feast to human eyes. Meryl Streep is old but plays the perfect foil and she knows what acting is. No wonder she got her 14th Oscar nomination for her role as Miranda Priestly – the editor of the fashion magazine Runway. The dichotomy here is between the characters of Streep and Anne Hathaway. The former is one is quite demanding and domineering. She is not concerned about human bonds and invests her time and energy in building the magazine. People don’t matter but the circulation of the magazine matters. Anne initially is fascinated by this world but when she sees that her own little world filled with love is crumbling under this pressure she takes her own decision. The final act of throwing the mobile into the street fountain is something which I liked. An act which can be compared to Ibsen’s Nora who shuts the door on her husband’s face.
Spiderman 3
The movie poster itself celebrated the dichotomy. The inner conflict inside Spiderman is amplified and magnified in this third installment from Marvel comics. The usual, red jacket is pitted against the black one. It is not just the ‘uniform’ that changes even the character of Spidy. He becomes more flirtatious and destructive. It looks as if the creators of Spiderman 3 is bored of the same goodie goodie image of Spidy. They want to show him in sinister way and by doing so they make the ardent fans of Spidy ask a stupid question – Oh what has happened to our Spiderman?